Under the shadow of the ongoing blitz in London, the willful grandchildren of Sir Richard Marsh have descended upon Swanswater in Kent for a family gathering, and the finalising of the patriarch’s will. Frustrated with the disrespectful behaviour of his heirs, Marsh seems to resolve to cut them all out of their inheritance and descends to his outhouse to make the final arrangements. When he is discovered murdered by strychnine injection with multiple elements of the crime scene suggesting that nobody could have been near – or even to have approached the outhouse given its unspoilt gravel pathway – Brand’s series sleuth Inspector Cockrill has his work cut out for him to find anything close to a plausible solution. First published in 1947, this classic mystery boasts Brand’s knack for memorable characters and misdirection, and concludes with one of the most stunning denouements in the genre.

"A very neat version of the 'sealed room' mystery ... provides [Miss Brand] with excellent opportunities to indulge her sense of character and her pleasantly malicious wit, as well as her gift for posing an ingenious problem." - Times Literary Supplement, 1949 At Elysian Hall, a grand exhibition space in post-War London, a cast has been assembled for a medieval-themed pageant show replete with knights in coloured armour, real horses and a damsel in a rickety tower on high. With death threats discovered by members of the troupe before the show, the worst comes to pass when the leading lady is thrown from the tower before the eyes of the audience by an unknown assailant - with all doors backstage also under observation. Faced with a seemingly impossible case, the wizened Inspector Cockrill and the fresh-faced Inspector Charlesworth begrudgingly join forces to uncover the killer hiding in plain sight. First published in Britain in 1949, Brand's exuberant novel is still regarded as one of the great masterpieces of the classic mystery genre for its fiendishly constructed puzzle, memorable setting, dumbfounding acts of misdirection and thrilling denouement.

It is 1942, and struggling up the hill to the new military hospital, Heron's Park, Kent, postman Higgins has no idea that the sender of one of the seven letters of application he is delivering will turn out to be a murderer in a year's time. When Higgins is brought in following injuries from a bombing raid in 1943, his inexplicable death from asphyxiation at the operating table casts four nurses and three doctors under suspicion, and a second death in quick succession invites the presence of the irascible - yet uncommonly shrewd - Inspector Cockrill to the scene. As the prospect of driving back across Kent amid falling bombs detains the inspector for the night, a tense and claustrophobic investigation begins to determine who committed the foul deeds, and how it was possible to kill with no evidence left behind.

Once upon a time there was a huge family of children; and they were terribly, terribly naughty ... So begin the tales of the no-nonsense Nurse Matilda who uses magic to tame the mischievous children in her charge - and who changes their lives forever. The inspiration for the much-loved film Nanny McPhee, starring Emma Thompson and Colin Firth, the Nurse Matilda stories overflow with naughtiness, wit and timeless humour, making this collection the perfect gift for mischief-makers both young and old! The collection contains all three instalments in the Nurse Matilda series, accompanied by Edward Ardizzone's beautiful original illustrations: Nurse Matilda Nurse Matilda Goes to Town Nurse Matilda Goes to Hospital

This annual anthology of rare stories of crime and suspense brings together tales from the Golden Age of Detective Fiction for the first time in book form, including a short novel by Christianna Brand. Mystery stories have been around for centuries-there are whodunits, whydunits and howdunits, including locked-room puzzles, detective stories without detectives, and crimes with a limited choice of suspects. Countless volumes of such stories have been published, but some are still impossible to find: stories that appeared in a newspaper, magazine or an anthology that has long been out of print; ephemeral works such as plays not aired, staged or screened for decades; and unpublished stories that were absorbed into an author's archive when they died . . . Here for the first time are three never-before-published mysteries by Edmund Crispin, Ngaio Marsh and Leo Bruce, and two pieces written for radio by Gladys Mitchell and H. C. Bailey-the latter featuring Reggie Fortune. Together with a newly unearthed short story by Ethel Lina White that inspired Hitchcock's The Lady Vanishes, and a complete short novel by Christianna Brand, this diverse mix of tales by some of the world's most popular classic crime writers contains something for everyone. Complete with indispensable biographies by Tony Medawar of all the featured authors, the fourth volume in the series Bodies from the Library once again brings into the daylight the forgotten, the lost and the unknown.

This annual anthology of rare stories of crime and suspense brings together tales from the Golden Age of Detective Fiction for the first time in book form, including a short novel by Christianna Brand. Mystery stories have been around for centuries-there are whodunits, whydunits and howdunits, including locked-room puzzles, detective stories without detectives, and crimes with a limited choice of suspects. Countless volumes of such stories have been published, but some are still impossible to find: stories that appeared in a newspaper, magazine or an anthology that has long been out of print; ephemeral works such as plays not aired, staged or screened for decades; and unpublished stories that were absorbed into an author's archive when they died . . . Here for the first time are three never-before-published mysteries by Edmund Crispin, Ngaio Marsh and Leo Bruce, and two pieces written for radio by Gladys Mitchell and H. C. Bailey-the latter featuring Reggie Fortune. Together with a newly unearthed short story by Ethel Lina White that inspired Hitchcock's The Lady Vanishes, and a complete short novel by Christianna Brand, this diverse mix of tales by some of the world's most popular classic crime writers contains something for everyone. Complete with indispensable biographies by Tony Medawar of all the featured authors, the fourth volume in the series Bodies from the Library once again brings into the daylight the forgotten, the lost and the unknown.

This anthology of rare stories of crime and suspense brings together 16 tales by masters of the Golden Age of Detective Fiction for the first time in book form, including a newly discovered Agatha Christie crime story that has not been seen since 1922. At a time when crime and thriller writing has once again overtaken the sales of general and literary fiction, Bodies from the Library unearths lost stories from the Golden Age, that period between the World Wars when detective fiction captured the public's imagination and saw the emergence of some of the world's cleverest and most popular storytellers. This anthology brings together 16 forgotten tales that have either been published only once before - perhaps in a newspaper or rare magazine - or have never before appeared in print. From a previously unpublished 1917 script featuring Ernest Bramah's blind detective Max Carrados, to early 1950s crime stories written for London's Evening Standard by Cyril Hare, Freeman Wills Crofts and A.A. Milne, it spans five decades of writing by masters of the Golden Age. Most anticipated of all are the contributions by women writers: the first detective story by Georgette Heyer, unseen since 1923; an unpublished story by Christianna Brand, creator of Nanny McPhee; and a dark tale by Agatha Christie published only in an Australian journal in 1922 during her 'Grand Tour' of the British Empire. With other stories by Detection Club stalwarts Anthony Berkeley, H.C. Bailey, J.J. Connington, John Rhode and Nicholas Blake, plus Vincent Cornier, Leo Bruce, Roy Vickers and Arthur Upfield, this essential collection harks back to a time before forensic science - when murder was a complex business.

The Golden Age author of Green for Danger delivers "a mystery in the classic Christie-Carr-Queen manner . . . An outstanding tour de force" (The New York Times). Few were disappointed when Raoul Vernet was found with his head bashed in, dead in a pool of his own blood. On vacation in England, the Belgian seducer comes to visit Matilda, an old flame from a few years before. She agrees despite suspicions that Vernet has been deploying his legendary charm on another member of the family: young Rosie, who has returned from her Swiss boarding school carrying a child. None of the family members were in the house when Raoul was killed, but all were within a fog-choked London mile. Rosie calls in the brilliant Inspector Cockrill to clear the family's name, but what he finds is a twisted clan of seven people, each as likely to laugh at a murder as commit one.

It's a big day at Christophe et Cie, a small couture house off Regent Street. Mr Bevan will announce which of his staff he is sending to France to be general manager of a new branch in Deauville. Will it be the talented and elegant Miss Doon or the loyal and long-serving Miss Gregory? Perhaps senior saleswoman Irene or showroom manager Dorian will get the job. Events take a dramatic turn over a lunch of rabbit curry when Miss Doon collapses and dies, poisoned by the oxalic acid crystals that another employee, Rachel, has been using to clean her hat. Inspector Charlesworth and Sergeant Wyler have a murder enquiry on their hands. Behind the glamour and gossip of a 1930s fashion house, secrets and lies are rife and more than one person may have harboured resentment towards Miss Doon. Richard Harris's thrilling play is based on Christianna Brand's debut crime novel. Irene Best, early 40s, brisk and efficient. Frank Bevan, late 40s, a ladies' man. Rose Macinerny, 19, plump and mousy. Zelda Gregory, late 30s, tall and angular. Dorian Pouvier, late 30s, slim and fair. Rachel Gay, 30s, extremely attractive Aileen Wheeler, early 20s, a blonde stunner. Caroline Doon, late 30s, tall and well modelled. Inspector David Charlesworth, 30-something, boyishly good-looking. Sergeant Lilian Wyler, late 30s, solid and no-nonsense